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Evan Ifekoya, Three States of Water: The Flood, 2023, sound installation (multi-channel sound), speakers, wood, acrylic glass, LED stripes, cork, mirrors, dichroic foil, dimensions variable, installation view, Traces of Ecstasy, 2024. (artwork © Nolan Oswald Dennis; photograph David Hale)
Evan Ifekoya, Three States of Water: The Flood, 2023, sound installation (multi-channel sound), speakers, wood, acrylic glass, LED stripes, cork, mirrors, dichroic foil, dimensions variable, installation view, Traces of Ecstasy, 2024. (artwork © Nolan Oswald Dennis; photograph David Hale)
Open a larger version of the following image in a popup:
Evan Ifekoya, Three States of Water: The Flood, 2023, sound installation (multi-channel sound), speakers, wood, acrylic glass, LED stripes, cork, mirrors, dichroic foil, dimensions variable, installation view, Traces of Ecstasy, 2024. (artwork © Nolan Oswald Dennis; photograph David Hale)
Evan Ifekoya, Three States of Water: The Flood, 2023, sound installation (multi-channel sound), speakers, wood, acrylic glass, LED stripes, cork, mirrors, dichroic foil, dimensions variable, installation view, Traces of Ecstasy, 2024. (artwork © Nolan Oswald Dennis; photograph David Hale)
Open a larger version of the following image in a popup:
Evan Ifekoya, Three States of Water: The Flood, 2023, sound installation (multi-channel sound), speakers, wood, acrylic glass, LED stripes, cork, mirrors, dichroic foil, dimensions variable, installation view, Traces of Ecstasy, 2024. (artwork © Nolan Oswald Dennis; photograph David Hale)
Evan Ifekoya, Three States of Water: The Flood, 2023, sound installation (multi-channel sound), speakers, wood, acrylic glass, LED stripes, cork, mirrors, dichroic foil, dimensions variable, installation view, Traces of Ecstasy, 2024. (artwork © Nolan Oswald Dennis; photograph David Hale)
Three States of Water, ICA/VU, 2023
Copyright The Artist
Further images
This second, reimagined iteration of Traces of Ecstasy at the ICA continues the Lagos pavilion’s aims to unsettle the colonial capitalist power structures that maintain and reproduce the ideological legitimacy...
This second, reimagined iteration of Traces of Ecstasy at the ICA continues the Lagos pavilion’s aims to unsettle the colonial capitalist power structures that maintain and reproduce the ideological legitimacy of the nation-state in post/neocolonial Africa. .